One of my favorite up and coming bands, Wintersleep, is playing San Francisco’s Hotel Utah tonight. I just saw them this weekend at SXSW and can confidently vouch for their live performance. They rock. The Halifax-based band is on tour supporting their latest album Welcome to the Night Sky. One of my favorites for 2008. If I wasn’t so sick I’d be out there to see them again tonight. You should be there though. That way when they make it big you can say “Yeah, I saw them at Hotel Utah once.”
And here it is.My top 20 albums for 2008.This list represents the music that inspired me throughout the year and the albums that I kept coming back to again and again.I’ve tried to put the critic hat aside to be very honest in my ranking.What you see here, in order of appearance, are the albums I listened to the most throughout the year.In order of heavy rotation, so to speak.
So while some of you may judge my harshly for listing bands like The Raconteurs in the top 10, the truth of the matter is I listened to that album a lot this year and it got me off every time. It’s a great rock album. Plus they were one of my favorite live performances of the year.And hey, if they’re good enough to make Nic Harcourt’s top 10 list, it’s good enough for me.
Enjoy!
1. Deerhunter, Microcastle
This album blew me away from the first listen and put Bradford Cox into the genius category for me. I really and truly can’t stop listening to this album. It’s brilliant start to finish and much more melodic and song-oriented than other Deerhunter albums. A classic for sure.
I’m truly obsessed with this Austin-based band. I listen to this album, without fail, every single day. I start with the Let’s Talk About It EP followed by Exposion. It’s my go-to, late night, ‘gotta wake my ass up to get some work done’ combo. I just love their stripped down Stooges/White Stripes vibe. Feels really good. And seriously rocks!
What a sexy album this is. And their collaboration with Danger Mouse on this album adds subtle layers of complexity to give it a more ethereal and eerie sound than their prior releases. Sooo good.
“I’ve been working on a cocktail called Grounds for Divorce…,” is the opening line from the rockin’ single, ‘Grounds for Divorce,’ off Elbow’s fourth and best release to date, The Seldom Seen Kid. The song is immense, snarling with emotion and emblematic of the theme of the album – the joys and sorrows of everyday life.
‘The Rockintours’ as my 3 year old son calls them, this album was most definitely on heavy rotation throughout 2008. To the point where he has developed an obsession with Jack White and tries to emulate his moves on his toy guitar. Could Jack White be the rock god of his generation? Very well could be. He made demi-rock god status in my book after seeing them play at Bimbos earlier this year, one of my concert highlights of the year. A relentless assault of rock and roll I haven’t seen the likes of in quite some time.
I’ve been a fan of The Duke Spirit since their first album, Cuts Across the Land, hit the US in 2005.With their second release, Neptune, the band has clearly come of age.The album is a seductive blend of lead singer Leila Moss’s bluesy-rock vocals and ferocious guitar riffs.The songs, evoking images of sea gods and ships, are a journey of brooding intensity that, in the end, leaves me only to say… “All Hail The Duke Spirit.”
This album is almost entirely a solo project showcasing the genius of David Brewis, member of the on-hiatus group Field Music, and is a true album experience.Like a mini rock symphony, the album starts and ends with a series of songs called ‘Rockists Part 1 and 2’ and ‘Rockists Part 3 and 4’.Parts 1 and 4 are different versions of the same song but strung together and listened to in it’s entirety, is a stunning arrangement. The songs are exquisitely constructed and I love the way he plays with structures and sounds.
My biggest regret of the year? Having to miss Beach House play The Swedish American Music Hall. Grr. It’s such a lovely, lovely, album. I love their etherial, haunting, lovelorn music and Devotion was a late night favorite on my headphones all year long.
Department of Eagles is essentially a side-project of Grizzly Bear singer-songwriter Daniel Rossen, who developed its dreamy, autobiographical songs with college friend and cohort, Fred Nicolaus. Their latest album, In Ear Park, was developed over the years between the two, stealing time on weekends and between tours.
This is the kind of album that grows on you over time. As you dig deeper through the album, you’ll start to appreciate the complexities and amazing orchestral arrangements that continue to unfold listen after listen.
Have you heard the one about this girl who walks into a bar in Austin, TX and sees Fleet Foxes for the first time? Call it serendipity, call it love at first sight – er, listen – she’s smitten. And so is the rest of the indie rock world. With good reason. Another one of my top live performances of 2008
Are you a Pavement fan? If you are, you’re gonna like the latest release, Heavenly Bender, from the Brooklyn-based quartet,Sam Champion. Steeped in lo-fi, garage-rock jams, their sound may be a little too Wowee Zowee for the non-Pavement aficionado, but for me it’s the perfect combination as bands like Pavement /Stephen Malkmus represent everything I like in Indie Rock music – crunchy guitar jams sandwiched between sweet harmonies. My indie rock PB&J.
Remember when this band was fresh on the scene and how great it was, for that brief moment, to have them all to yourself? Then suddenly they were everywhere and even your non-music friends started talking about them. ‘Have you heard of this band called Bon IVER?’ At least we had the satisfaction to smugly correct them on their mispronunciation. “It’s pronounced Bon Hiver – like good winter in French? Phht.” Okay, maybe that was just me. All kidding aside, this is such a beautiful album and truly one of my favorite live performances of the year. It gave me goosebumps.
The Portland-based duo, The Helio Sequence, released their third album ‘Keep Your Eyes Ahead’ in January of this year; but it’s one of those records I just keep coming back to again and again. It makes me feel so nostalgic. Perhaps it’s because there are moments on the record that sound so early U2/Joshua Tree I can’t help but feel that way.
This stripped down, two-man San Francisco band consists of Meric Long on guitar and vocals and Logan Kroeber on percussion.Both are feature performers– on the recording and live.Their simplicity has drawn comparisons to a crop of new-primitivist bands like Yeasayer and High Places.Whatever the case, you should listen to this album and make a point to see them live. They’re mesmerizing.
Welcome to the Night Sky is the third album for the Halifax-based Wintersleep, and one that seems destined for success in the US. Already quite popular in Canada, the band recently received the 2008 Juno award for ‘New Group of the Year’. Their sound is expansive with heavy, smashing guitars combined with delicate, heartbreaking vocals. A sound so well represented in the track ‘Drunk on Aluminum’.
Women are a Canadian group (two of them brothers, actually) with their self-titled debut released July 8 on Flemish Eye Records. I was very pleased to learn that Chad VanGaalen produced this album, of whom I’m a big fan. He recorded the album in his basement on old tape machines and ghettoblasters. To say their sound is lo-fi is an understatement. My guess is you’ll be hearing a lot more from this band.
I adore this guy. He’s a wonderful and interesting artist, a virtual one-man band who’s notoriously very reclusive and apparently obsessed with death and other morbid topics. I find a stark beauty in the basement-recorded ‘Soft Airplane’ (as well as a nice cover of The Shins ‘City of Electric Light’). And while it’s true that the basement can be a dark and scary place at times, it can also be filled with wonder and surprise.
Tape ain’t gonna fix it/ Honey, it ain’t gonna stick/ Six kinds of glue/ Won’t hold you! / You’ve got to, you’ve got to, you’ve got to go straight ahead!
This Chicago quartet has been around for quite a while and there’s a comfort in the familiarity and consistency of their music. Their latest release, Car Alarm, is no exception. One of their best albums in over a decade. I’ve been listening to their electronic grooves a lot. Mellow yet powerful at the same time, they are firmly rooted in Indie rock with a splash of that electronica sound I like so much. It’s smooth, well balanced, easy on the ears and layered with just enough complexity to keep it interesting listen after listen. Like a fine wine.
Last, but certainly not least, is Juana Molina’s, Un Dia. This Argentinean singer /songwriter is an amazing interpreter of sound. I discovered her by chance many years ago opening for a band I can’t even remember now because her performance was so compelling and mesmerizing I’ve forgotten everything else about that night. I’ve been an ardent fan of her dreamlike, hypnotic music ever since. Her fifth full length album, Un Dia, is her most adventurous, upbeat and rhythmic release to date.
I have two tickets to giveaway to see one of my favorite newcomers, Nova Scotia-based Wintersleep, at Slim’s in San Francisco on November 24. Send an email to theOCMD@gmail.com by this Wednesday, November 19th to win. I’ll pick a winner randomly.
Reportedly, they put on an excellent live show. As one fan put it, ‘Wintersleep turned me from a casual listener to a fan in one show.’
Artist: Wintersleep Album:Welcome to the Night Sky File Under: Indie Rock Recommended if You Like: Grandaddy, The Editors, Broken Social Scene, Jeff Buckley Featured Track: ‘Drunk on Aluminum’
This has most definitely been the album of the week for me. While not technically a new album (it was released in Canada in 2007), it just hit the US – and my inbox – last week. And has been on heavy rotation ever since.
Welcome to the Night Sky is the third album for the Halifax-based Wintersleep, and one that seems destined for success in the US. Already quite popular in Canada, the band recently received the 2008 Juno award for ‘New Group of the Year’. Their sound is expansive with heavy, smashing guitars combined with delicate, heartbreaking vocals. A sound so well represented in the track ‘Drunk on Aluminum’.
Dig deeper into the album and you start to peel back the layers, and musical influences. They have drawn comparisons to Radiohead, Mogwai and Low. I hear Jeff Buckley at times, Broken Social Scene, The Editors and a bit of Grandaddy during others. But I think what makes them so compelling to me is that they but they never seem to imitate, only reference these artists. Which makes me keep coming back for more. I can’t quite put my finger on it. So I keep listening to it. And the more I do, the more I love it. I hope you do too.
Catch Wintersleep at Slim’s in San Francisco November 24.
The best thing about my ‘job’ as a blogger (I say that with air quotes), are the presents I get in my inbox from new artists and record labels promoting their goods. It’s like a treasure hunt, sometimes the hunt leaves you empty handed but other times you hit jackpot. That’s the way I felt this week as I listened to two new releases from Canadian artists, The High Dials and Wintersleep. Check it out for yourself.
Montreal-based The High Dials make lush, intelligent psychedelic pop; dreamy anthems built on bittersweet melodies, bright harmonies and moody guitar sounds. They already have a notable fan base with the likes of Brian Jonestown Massacre, who’ve declared them the ‘best band in North America’ and Rod Argent, legendary songwriter of the Zombies. Their new album ‘Moon Country‘ released this week.
The High Dials play this Saturday, October 18, at The Hotel Utah in San Francisco.
I’ve been listening to this album from Halifax- based, Wintersleep, repeatedly since I got it. Their new album, ‘Welcome to the Night Sky’, rose to the top of the Canadian indie rock charts drawing comparisons to acts such as Radiohead, Mogwai and Low. The album, which has been called a masterpiece by many, is now available in the US and expected to take America by storm. I’m hooked.
Don’t miss Wintersleep at Slims in San Francisco November 24.
This album blew me away from the first listen and put Bradford Cox into the genius category for me. I really and truly can’t stop listening to this album. It’s brilliant start to finish and much more melodic and song-oriented than other Deerhunter albums. A classic for sure.
I’m truly obsessed with this Austin-based band. I listen to this album, without fail, every single day. I start with the Let’s Talk About It EP followed by Exposion. It’s my go-to, late night, ‘gotta wake my ass up to get some work done’ combo. I just love their stripped down Stooges/White Stripes vibe. Feels really good. And seriously rocks! 
What a sexy album this is. And their collaboration with Danger Mouse on this album adds subtle layers of complexity to give it a more ethereal and eerie sound than their prior releases. Sooo good.
‘The Rockintours’ as my 3 year old son calls them, this album was most definitely on heavy rotation throughout 2008. To the point where he has developed an obsession with Jack White and tries to emulate his moves on his toy guitar. Could Jack White be the rock god of his generation? Very well could be. He made demi-rock god status in my book after seeing them play at Bimbos earlier this year, one of my concert highlights of the year. A relentless assault of rock and roll I haven’t seen the likes of in quite some time.
I’ve been a fan of The Duke Spirit since their first album, Cuts Across the Land, hit the US in 2005.
My biggest regret of the year? Having to miss Beach House play The Swedish American Music Hall. Grr. It’s such a lovely, lovely, album. I love their etherial, haunting, lovelorn music and Devotion was a late night favorite on my headphones all year long.
Have you heard the one about this girl who walks into a bar in Austin, TX and sees Fleet Foxes for the first time? Call it serendipity, call it love at first sight – er, listen – she’s smitten. And so is the rest of the indie rock world. With good reason. Another one of my top live performances of 2008
Are you a Pavement fan? If you are, you’re gonna like the latest release, Heavenly Bender, from the Brooklyn-based quartet,
Remember when this band was fresh on the scene and how great it was, for that brief moment, to have them all to yourself? Then suddenly they were everywhere and even your non-music friends started talking about them. ‘Have you heard of this band called Bon IVER?’ At least we had the satisfaction to smugly correct them on their mispronunciation. “It’s pronounced Bon Hiver – like good winter in French? Phht.” Okay, maybe that was just me. All kidding aside, this is such a beautiful album and truly one of my favorite live performances of the year. It gave me goosebumps.
The Portland-based duo, 
This stripped down, two-man San Francisco band consists of Meric Long on guitar and vocals and Logan Kroeber on percussion.
Welcome to the Night Sky is the third album for the Halifax-based 
Women
I adore this guy. He’s a wonderful and interesting artist, a virtual one-man band who’s notoriously very reclusive and apparently obsessed with death and other morbid topics. I find a stark beauty in the basement-recorded ‘Soft Airplane’ (as well as a nice cover of The Shins ‘City of Electric Light’). And while it’s true that the basement can be a dark and scary place at times, it can also be filled with wonder and surprise.
Tape ain’t gonna fix it/ Honey, it ain’t gonna stick/ Six kinds of glue/ Won’t hold you! / You’ve got to, you’ve got to, you’ve got to go straight ahead! 
This Chicago quartet has been around for quite a while and there’s a comfort in the familiarity and consistency of their music. Their latest release, Car Alarm, is no exception. One of their best albums in over a decade. I’ve been listening to their electronic grooves a lot. Mellow yet powerful at the same time, they are firmly rooted in Indie rock with a splash of that electronica sound I like so much. It’s smooth, well balanced, easy on the ears and layered with just enough complexity to keep it interesting listen after listen. Like a fine wine.
Last, but certainly not least, is Juana Molina’s, Un Dia. This Argentinean singer /songwriter is an amazing interpreter of sound. I discovered her by chance many years ago opening for a band I can’t even remember now because her performance was so compelling and mesmerizing I’ve forgotten everything else about that night. I’ve been an ardent fan of her dreamlike, hypnotic music ever since. Her fifth full length album, Un Dia, is her most adventurous, upbeat and rhythmic release to date. 
the OCMD 