eMusic Gets New Recommendation Engine

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I’m an eMusic subscriber and supporter and noticed that they’ve overhauled their homepage centered around a new music recommendation engine called MediaUnbound.  Now, when you sign into the site as a member, you’re presented with a grid of music you’ll like made up of personalized recommendations based upon your history. You can also sort the list by new arrivals.  

I’ve been checking out the recommendations but am cautiously optimistic.  Like any music recommendation service I’ve used, I don’t expect much.  Most of them are disappointing, especially if you’re an avid music fan. But I understand eMusic’s need to upgrade. As a subscription based model, it’s important that their members find music they like.  Otherwise, they’re apt to cancel.

What makes this new music recommendation service, MediaUnbound, supposedly unique is that it  combines both algorithmic and human inputs to try to come up with better recommendations for users right from the start. And how are MediaUnbound’s human inputs different from say Pandora?  This is where the story gets interesting, or amusing at the least. MediaUnbound CEO Michael Papish answers this question in a recent TechCrunch post and added a most amusing critique of other music recommendation services in existence. 

On Pandora’s human input process:

Pandora has created a feature factory of humans chained to headphones attempting to objectively rate the sonic features of every song ever made (well, ok, only ~200k hand-picked songs). We think this is a horrible use of use of the creative, constructive, opinionated, and (sometimes argumentative) resource called the human music geek.

On the rest of the music recommendation technologies out there:

    —Pandora. Purely sonic-based as determined by team of human experts classifying every song into features. Not scalable. One-trick pony only able to determine that one song sounds like another song, not anything about user preference or other personalized recommendations.   
    —iLike. Purely algorithm-based utilizing only data from other iLike members. Service is meant to be embedded in a widget, not a full-fledged recommendation platform across an entire music service.

—iTunes Genius. Sub-standard, algorithm only – developed in-house. Only uses iTunes data. Steve Jobs has creepy man crush on John Mayer and Jack Johnson.

—MySpace Music. Crazy flashing yellow buttons that randomly start playing Buffalo Springfield songs when you visit your friend’s page.

—AmazonMP3. Utilizes the Amazon recommendation platform which is based mainly on collaborative filtering. We assume they use some human tweaking, but they’ve never publicly stated this fact. The AmazonMP3 recommendations are crippled because they are based on regular Amazon recommendations which are very focused on closely related items (i.e. Bob Dylan’s _Blood on the Tracks_ returns Bob Dylan’s _Blonde on Blonde_. duh!)

—Last.fm. Purely algorithm-based utilizing only data from other members and their scrobbles.

Download BLK JKS Mystery EP Free on eMusic

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Now through January 5, 2009, you can download a copy of BLK JKS Mystery EP on eMusic – for free!

Get it now.

Who are the BLK JKS, you say? Well, they are a South African psychedelic afro rock band that kind of has a TV on the Radio vibe. Discovered by Diplo while he was on tour in South Africa, they landed on the cover of Faderreceived lots of media attention from the likes of the New York Times, Billboard and The Guardian and have been on the train to success since. They recorded their MYSTERY EP in New York’s famed Electric Lady studios and just signed with the label Secretly Canadian.  Their EP is due out March 10, 2009. But why wait when you can get it for free now? Jump on it.

Listen to ‘Lakeview

Then check out the latest documentary from Digforfire.tv about the band.

Vodpod videos no longer available.

 

 

 

Rhapsody Launches Beta MP3 Store

Anyone who knows me is well aware of how big a fan I am of Rhapsody.  It’s one of my essential tools for digesting and discovering new music.  The music subscription service model has always made a lot of sense to me and I believe is a model we’re going to see a lot more of.  Especially as more and more artists attempt to circumvent labels and go direct to fans (with the help of technology like Topspin).  

After all, why wouldn’t you want to pay $12/month to access a virtual unlimited amount of music – anywhere, anytime.  It’s beautiful.  Especially when leveraged through the Sonos Digital Music System (in which Rhapsody is already integrated).  I have an ongoing Rhapsody playlist of new music that I add to whenever I hear or read about a new artist.  Then I just queue up the playlist and listen to it whenever I’m at work or futzing around the house.  With the combination of Rhaspody and Sonos, listening to music is no longer a dedicated form of entertainment.  

Finally, Rhapsody has added an MP3 download component, without all the DRM (Digital Rights Management) hassles like Apple iTunes.  (Which means when you download a track or album you can do whatever you want with it – no proprietary formats, limited sharing, etc.)  I still love eMusic and inSound for their great selection of Indie music.  But I find that Rhapsody is the ideal platform for most of my music research.  I’m very happy about this new MP3 service and hope that the the next iteration with include the option for monthly download bundles as part of my subscription.  🙂